Penguin Trade Paperback Edition |
The Quiet American is
told in first person by an aging British newspaper journalist named Thomas
Fowler. The novel’s opening scene has
the arrival of a French policeman with news of the murder of one of Fowler’s
friends. A young American named Alden
Pyle. Pyle worked for the U. S. Economic
Aid Mission in Saigon. He is an idealist
who believes it is both possible the U. S. can foster democracy in Vietnam.
Pyle’s knowledge of Vietnam is based on the work of
a journalist named York Harding who has written several works about communism
in Asia. Harding wrote of a “Third
Force”—something like the partisans in Nazi-occupied Europe in World War
Two—that could rally the people into a popular rising for democracy. The only problem, Vietnam is not Europe and
the world is never as simple as we would like it.
The Quiet American is
a prescient novel. It was published 10
years prior to the first major U. S. battle in Vietnam, Ia Drang, but it deftly
and accurately defines many of the problems the United States faced in Vietnam.
It explores the gung-ho naïveté with
which the U. S. Government entered the country. It foretells the debacle U. S. intelligence
services would create with their secret wars and covert operations. But the most interesting is its view of
America and Americans as innocents unfamiliar with the world beyond its own
borders.
It is rich with both historical perspective and its
contemporary world. The author obviously
loved Vietnam; it is painted with a tapestry of vivid description and loving
detail. It is a literary thriller—in the
best sense of that term. It is a story
first, but Graham Greene expertly weaves ideas, characters and truths into the
narrative in a manner that they become an intricate and necessary part of the
story.
The Quiet American
is also a metaphor for the end of the British Empire and the rise of America as
a superpower, and essentially an empire. Pyle is the new—he is young, strong and full
of ideas and ideals. Fowler is the
old—he is cynical, knowledgeable and somewhat world weary and frightened. He is scared of age, but mostly he is
frightened of losing his status and potency as a man.
The Quiet American is
a wonderful novel. The writing is smooth
with a certain antiseptic feel—the reader views the events very much as a
spectator, but the performance is so compelling it envelopes the reader with
its dark and cynical view of how things are. Its view of America is rough, but it is done
in a way that is forgiving and understanding; almost as a parent disapproving the
actions of a child.
The Quiet American is the best Vietnam novel I have read. It is appealing as both a suspense novel and literature. Its themes are as relevant today as they were in the 1950s and the story (the plotting, the description and setting) is brilliantly executed. If you haven’t read this novel you should.
The Quiet American is the best Vietnam novel I have read. It is appealing as both a suspense novel and literature. Its themes are as relevant today as they were in the 1950s and the story (the plotting, the description and setting) is brilliantly executed. If you haven’t read this novel you should.
After Thought.
The Quiet American has been
translated into film two times. The
first was Joseph L. Mankiewicz’s 1958 film starring Audie Murphy and Michael
Redgrave as Pyle and Fowler. The second
was Phillip Noyce’s 2002 version starring Michael Caine and Brendan Fraser as
Fowler and Pyle. Michael Caine was nominated
for an Academy Award for his performance as Thomas Fowler.
I haven’t seen the original film, but the Noyce version
is surprisingly good. It captures the
spirit and atmosphere of the novel very well.
This
review originally appeared on the now defunct blog Dark
City Underground August 11, 2010 in slightly different form. I will be moving a few other reviews from DCU
to Gravetapping over the next several weeks. I will also be posting some original content
very soon.
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