Tek
Net
is the ninth (and final) Tek novel
published by William Shatner. It, like
all of the Tek novels, was written by
Ron Goulart. The novels are futuristic
detective stories detailing the exploits of Cosmos Detective Agency operatives
Jake Cardigan and Sid Gomez. I read, and
really enjoyed, the first four novels in the series back in the 1990s, but somehow
lost track of it when the later books were released. When I stumbled on Tek Net in a thrift shop a few weeks ago I couldn’t help picking it
up, and I’m glad I did.
The European Teklords have developed a new delivery
method for tek—a digital drug that delivers addictive virtual fantasies. The new delivery system eliminates the need
for chips and headgear. The new tek will
be a boon for the European cartels, and force their American counterparts out
of business. Jill Bernardino, a former
tek addict and second wife (of four) of Sid Gomez, becomes a pawn between the
American and European Teklords when she learns about the plans. She is kidnapped in quick order, but not
before she makes a call to Sid pleading for help.
Tek
Net
is less science fiction than action. It
is told in an almost frantic pace—the plot moves like a rocket from scene to
scene. There is no down time. Every word has the overwhelming purpose of
moving the plot forward. Sid Gomez is
the center point of the story, and Jake Cardigan (the usual primary player) is
basically in a supporting role. There is
not much mystery about the story’s trajectory (or final destination), but it is
populated by a long list of villains who range from frightening to hilarious (in
a good way). Think of a geriatric
gangster who paints, and has a flock of virtual sheep in his backyard.
The setting is a future Southern California, which
is simply known as Greater Los Angeles.
A place where smog has gotten so bad it is unbreathable in places, and
robots do the majority of the dirty work.
There are a surprising number of “attractive” robots, an impressive amount
of tek addicts, and even more unscrupulous citizens. A particularly vivid scene is a dilapidated theme
park called Hollywood Starwalk Park. It
is a sort of robotic version of a wax museum where robots made up as Clark
Gable and Charlie Chaplin recreate classic films—
“When
the blonde actress on Gable’s left winked at Jill, her plastiglass eyeball fell
out. It hit the simulated white gravel
of the path and bounced once.”
Tek Net is pure fun. There is not a whit of character development, and the science fiction tends to be less futuristic than simply renaming common items with an often cold and futuristic sound—“vidphone,” “guardbots,” “plastiglass,” “skull-mail,” etc.—but for what the story lacks in literary development it makes up for in brisk, straight-forward action, and a sort of cordial humor.
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