Overhead
is
the third novel featuring Brad Smith. It was published in 1991 by Tor, and it
is something of a transitional novel in the series. It is longer than the first
two—as are the three that follow—and it permanently moves Brad from Richardson,
Texas to the fictional Elk City, Montana.
Brad’s old tennis pal, Ted Treacher—who helped Danisa escape
Yugoslavia in Tiebreaker—purchased a
tennis and golf resort outside of Elk City. There is local opposition, and he
is leveraged to the eyeballs. Ted wants Brad’s help to set up a small professional
tournament. He has $60,000 purse money and the tournament would bring welcome publicity.
Collie wants Brad to do some snooping while he is there. A civilian employee of
a nearby Air Force research facility was caught removing classified data, but murdered
before she could talk. The FBI thinks the Soviets are behind both spying and murder.
It also thinks the killer is Brad’s old nemesis Sylvester. A little loyalty—to
Ted, mostly—and a quarrel with the new head tennis pro at the resort Brad works,
persuades him to load his Bronco and go to Montana.
Overhead
is the weakest of the Brad Smith novels. It is longer than the first two, and several
subplots run through its length; specifically, a corporate corruption scandal
and an unexplained high rate of child death in Elk City. It is busy, and all of
the intrigue distracts from the main focus of the novel—Brad’s and Sylvester’s
ever growing annoyance with each other. It isn’t a bad novel at all, but it isn’t
quite as good as the other novels in the series.
The good stuff is the setting, characters, and suspense.
Mr. Bickham develops the cloying small town atmosphere of Elk City nicely, and
does an even better job with the resort. The characters are never without believable
motivation. There is the bully-psychopath Elk City cop, Ted who is falling
apart under the financial pressure of the resort, Ardis Allen, a cutthroat
businesswoman, Sylvester, and Brad. It is also structured to achieve a high
level of suspense. It is written in first—Brad’s perspective—and third person,
and the alternating perspective allows the author to prolong suspenseful scenes
across more than one chapter (and it works very well).
There is also a nice touch of social commentary, and
something about the human experience. My favorite—
“Hemingway
liked to talk about how life sometimes bent people, sometimes in such a way
that they healed and went on, stronger because of the hurt. He said life
sometimes broke people, too. But he never really came to terms with that. Maybe
he couldn’t. Maybe at the very end Hemingway understood being truly broken,
beyond healing, and that was why he went down to the hallway that fine sunny
morning outside of Ketchum and put both barrels of the shotgun to his forehead,
just above the eyes, and pulled both triggers.”
Overhead may not be the best of Jack Bickham’s Brad Smith novels, but it is still an exciting, entertaining, and very worthwhile read.
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