David Housewright’s eleventh Rushmore
McKenzie mystery, The Devil May Care, is a thinking man’s thriller with
a bit of humor—in the form of McKenzie’s first-person commentary and snappy rapport
with everyone in the story—and a complex, but nicely compact plot.
McKenzie resigned from the St. Paul, Minnesota, police department to collect a
multi-million-dollar reward in a fraud investigation and now he does whatever
he wants, including doing favors for friends as an unlicensed P.I.
When
McKenzie is approached by twenty-something Riley Brodin, the granddaughter of one
of Minnesota’s wealthiest men, Walter Muehlenhaus, wanting his help to find her
missing fiancé, Juan Carlos Navarre, McKenzie’s instinct is to walk away. He
and Muehlenhaus butted heads during another investigation, and the aggravation
of working for the family isn’t appealing to McKenzie. But Riley shows real
concern for Navarre and ultimately charms McKenzie by sharing her grandfather’s nickname for him: “f**king McKenzie”; but truthfully, the moniker losses its
luster the more McKenzie hears it. The missing persons case gets on his nerves,
too, since Navarre doesn’t seem to exist. And when a defunct street gang begins
following McKenzie around and people start dying violently, all he can do is
follow the clues where they take him. And hope no one he likes gets hurt.
Publishers Weekly called The
Devil May Care “exceptional” and gave it a starred review. A sentiment I
share because everything in this detective thriller works. The characters have enough
realism to make them relatable. The plot, which is wonderfully twisty and surprising,
has an easy-going attitude and every inch of it gets McKenzie in deeper
trouble. St. Paul and environs is drawn to perfection, from the people to
the landscape (including all those fabulous lakes). But it is McKenzie that makes
everything sizzle with his ironic first-person commentary, his low-wattage
Knight-errant syndrome, and his ability to mix and mash with anyone from poverty
row to country clubs. The Devil May Care is my first experience with
Housewright’s writing, but there will be many more since finishing that last
page made me a little sad.
Click here for the Kindle edition and here for the paperback at Amazon.
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