Showing posts with label Douglas Clegg. Show all posts
Showing posts with label Douglas Clegg. Show all posts

Sunday, November 08, 2009

ISIS by Douglas Clegg

I have been a fan of Douglas Clegg’s work for several years. I first discovered him through his novel The Infinite. A spooky and enchanting haunted house story, which turned out to be the third novel in the Harrow series. Harrow is an old estate in the Hudson Valley that has seen more than its share of evil. The books all feature Harrow, but they are each very different—each explores the haunted place from a different angle and time, and each is very, very good.

I recently read a new Douglas Clegg story that reminded me, just a little, of my first experience with his writing. It is a novella published in hardcover and fully illustrated by Glenn Chadbourne. The title: Isis.
Iris Villiers is a young girl—lonely and isolated—in the family estate. Her father is steadily away with his work, and her mother is ill with tonic and despair. Iris’s only joy is her brother Spence. The two wander the large estate and play. They create games and, based on a play they performed one summer, they take to calling each other Isis and Osiris. Their world is one of fortune, if a bit empty, until an accident changes Iris forever.

Isis is a haunting tale. It has the feel of a fairy-tale blackened with a supernatural yearning and loneliness. It chronicles the tenuous grasp humanity has on its destiny and how tightly we are held by the past. The prose is simple and wispy—it is the voice of a girl who never really had much, but who is desperate to keep the little she does have.

It is short—113 pages with a dozen or more black and white illustrations—but the meaning and intricacies of the story linger long after the book is closed. Isis is a genre story with teeth. It is literate, interesting, entertaining and very, very smooth. It is absolutely a pleasure to read.

Thursday, October 22, 2009

Halloween Reading

This is a post that went live in October 2007. It is far from a complete list, but I still really like the novels and authors I chose to include. If I were to do it over I would also include a few other authors / books that have brought a nasty bit of entertaining fright and horror since I wrote this. A few—Cage of Night by Ed Gorman; Stir of Echoes by Richard Matheson; Terminal by Brian Keene; and Afraid by Jack Kilborn.
Also, the numbering next to the authors name means absolutely nothing. It is simply a means to separate the authors into their own tidy category.
The end of October is in sight, and that means one thing: Halloween. Halloween is a favorite holiday of mine, and as it approaches I find myself filled with an unexplainable sense of excitement—it is the twelve year-old boy in me craving a past that no longer exists, but it is also more than that. It is the excitement of autumn—the days are shrinking, the shadows are lengthening, and nights are deepening. I love the cool crisp air, the idea of coming winter, but mostly the spooky chill that is Halloween.

So in honor of Halloween I’m going to list a few of my favorite horror writers—five to be exact. The only rule in this selection of authors is: there are no rules.

1. Jack Ketchum. The work of Jack Ketchum is truly frightening. He generally doesn’t employ the horror norms of demons, goblins, and poltergeists, but instead he creates truly frightening evil in the form of humanity. He shows us the worst elements that can exist in us all, and then unleashes it on the characters of his stories. If you haven’t tried Ketchum, do it soon.

My favorite Jack Ketchum novels are: The Girl Next Door, Off Season, Red, and his short story collection Peaceable Kingdom.

2. Richard Laymon. I discovered Richard Laymon in the autumn of 2000, and I quickly found and read every novel that was available in the United States for less than the price of a small automobile, which at the time was about sixteen of them. His work can be gross, violent, and very nearly pornographic in places, but somehow—especially in his better novels—he lightens it with humor, and adolescent innocence.

My favorite Laymon novels are: In the Dark, The Traveling Vampire Show, One Rainy Night, Night Show, Into the Fire, and Among the Missing.

3. Stephen King. This is a writer who truly needs no introduction, but I’m going to give him one anyway. Mr. King writes with a power that few modern writers have—he creates working class characters so real and vibrant that when he eases mysticism and fantasy into the stories it doesn’t feel forced or unreal. It is simply part of the story, and very believable.

My favorite King novels—specifically aimed at Halloween are: The Girl Who Loved Tom Gordon, The Stand, ‘Salem’s Lot, and his short story collection Skeleton Crew. I have never read a Stephen King novel I didn’t like, but the aforementioned titles are spooky enough for any Halloween.

4. Douglas Clegg. Mr. Clegg probably has more raw talent than any other horror writer currently producing mainstream horror. His voice is strong, clear, and very frightening. His work runs from chilling ghost stories to vampires, to the more cinematic and gory. I have yet to find a Clegg novel I didn’t like.

My favorite Douglas Clegg novels are: The Infinite, The Attraction, The Hour Before Dark, and Nightmare House.

5. Dean Koontz. Mr. Koontz is another writer who needs no introduction. His work is difficult to categorize because he is able to mix and match genre elements with ease. His early work was mainly in the science fiction genre, but he also wrote in the suspense, horror, romance, and mystery genres—now all of these genres can be found in his work. I especially enjoy his work from the 1980s, but I really haven’t found a Koontz book I didn’t enjoy.

My favorite Dean Koontz novels--with a Halloween twist--are: Lightning, Midnight, The Bad Place, Twilight Eyes, and The Face of Fear.
An additional word on Dean Koontz. I have read several Dean Koontz novels in 2009, and with each reading I gain more and more respect for his work. He is the master of the big suspense novel. His style and ability allows him to write a large and complex novel without losing the intimacy of a smaller voice novel. He truly is the voice of modern suspense and his work, at least parts of it, should survive his and my generation. At least I hope it does.

Saturday, April 11, 2009

AFTERLIFE by Douglas Clegg

Douglas Clegg is, one book at a time, proving himself one of the best horror writers working today, and he is in top form with his latest novel Afterlife. Julie Hutchinson is a suburban housewife, the mother of a young girl and wife of a successful Doctor. Her life seems perfect, a large house, a beautiful family, but everything is not as it seems. Her husband is brutally murdered. The police think him the victim of a serial killer who carves tattoos across the back and shoulders of his victims. Julie isn’t so certain. Her mentally unstable step-son, the product of her husband's first marriage, cuts similar designs into his own arm on the very day his father is killed. Their daughter claims her father, Hut, is visiting her in the dark hours of night, and perhaps more disturbing are the erotic dreams Julie begins having shortly after the murder.

Mr Clegg has an ability to create believable, realistic characters—they have the feel and quality of a neighbor, or even a sibling, a parent—and tighten the suspense and terror as they slowly descend into their own private nightmare. Julie slowly isolates herself from her family and friends as she investigates the strange events that surround her life. She makes arrangements to catch the ghost that visits her daughter on video, and when she finally catches a glimpse it is much more than she bargained for.

She enlists the help of a television psychic, and together they uncover pieces of her husbands past. Things Julie never knew, things she never wanted to know. The key to the mystery is a defunct psychic research center called Daylight. It is located in an old warehouse. Hut, her husband, died with the door key in his pocket. The mystery builds until Julie no longer knows what, or who to believe. She is either mad, or everything she has discovered is real. The novel weaves a spell of the occult, the supernatural and death. It is violent, real, and truly frightening.

This novel is something beyond the normal everyday horror fare. The characters are fresh, the plot is original and the story is damn good. Be warned, there is a fair amount of graphic sex, but it really is essential to the plot. It heightens the suspense and moves the story forward. This novel is not for the timid, but it is definitely for anyone who loves a good story, a good scare, and great writing. Afterlife is as good as the modern horror novel gets.

A NOTE. This review originally went live on SFReader September 3, 2005. I've hit a busy stretch at work over the past week or so, and I'm also in the final weeks of the semester so things may be a little quiet around here. Although I'm still going to try to get two to three posts up a week. I hope. I do have a few reviews planned: The Secret Keeper by Paul Harris, No Exit from Brooklyn by Robert J. Randisi, and Cage of Night by Ed Gorman.

Saturday, January 24, 2009

Book Trailer: THE ATTRACTION by Douglas Clegg

The Attraction is a mass-market paperback released by Leisure Books in 2006. It contains two novellas. The first is the title piece, "The Attraction" and the second is titled "The Necromancer." "The Attraction" is the better of the two stories; it is a straight forward slasher-type horror yarn (I've always wanted to use that word) that reminded me more than a little of a high quality slasher horror film mixed with something Richard Laymon would have written. The description and location is spot on: As I read it I could feel and smell and the desert heat.

The Attraction is probably the last Clegg title I've read and yesterday when I bumped into the trailer on You Tube, I had to ask myself why? He's a pretty damn good writer and while his current vampire series doesn't intrigue me most of his early work is really terrific.

Monday, October 29, 2007

Five Writers for Halloween

The end of October is in sight, and that means one thing: Halloween. Halloween is a favorite holiday of mine, and as it approaches I find myself filled with an unexplainable sense of excitement—it is the twelve year-old boy in me craving a past that no longer exists, but somehow it is also more than that. It is the excitement of autumn—the days are shrinking, the shadows are lengthening, and nights are deepening. I love the cool crisp air, the idea of coming winter, but mostly the spooky chill that is Halloween.

So in honor of Halloween I’m going to list a few of my favorite horror writers—five to be exact. The only rule in this selection of authors is: there are no rules.

1. Jack Ketchum. The work of Jack Ketchum is truly frightening. He generally doesn’t employ the horror norms of demons, goblins, and poltergeists, but instead he creates truly frightening evil in the form of humanity. He shows us the worst elements that can exist in us all, and then unleashes it on the characters of his stories. If you haven’t tried Ketchum, do it soon.

My favorite Jack Ketchum novels are: The Girl Next Door, Off Season, Red, and his short story collection Peaceable Kingdom.

2. Richard Laymon. I discovered Richard Laymon in the autumn of 2000, and I quickly found and read every novel that was available in the United States for less than the price of a small automobile, which at the time was about sixteen of them. His work can be gross, violent, and very nearly pornographic in places, but somehow—especially in his better novels—he lightens it with humor, and adolescent innocence.

My favorite Laymon novels are: In the Dark, The Traveling Vampire Show, One Rainy Night, Night Show, Into the Fire, and Among the Missing.

3. Stephen King. This is a writer who truly needs no introduction, but I’m going to give him one anyway. Mr. King writes with a power that few modern writers have—he creates working class characters so real and vibrant that when he eases mysticism and fantasy into the stories it doesn’t feel forced or unreal. It is simply part of the story, and very believable.

My favorite King novels—specifically aimed at Halloween are: The Girl Who Loved Tom Gordon, The Stand, ‘Salem’s Lot, and his short story collection Skeleton Crew. I have never read a Stephen King novel I didn’t like, but the aforementioned titles are spooky enough for any Halloween.

4. Douglas Clegg. Mr. Clegg probably has more raw talent than any other horror writer currently producing mainstream horror. His voice is strong, clear, and very frightening. His work runs from chilling ghost stories to vampires, to the more cinematic and gory. I have yet to find a Clegg novel I didn’t like.

My favorite Douglas Clegg novels are: The Infinite, The Attraction, The Hour Before Dark, and Nightmare House.

5. Dean Koontz. Mr. Koontz is another writer who needs no introduction. His work is difficult to categorize because he is able to mix and match genre elements with ease. His early work was mainly in the science fiction genre, but he also wrote in the suspense, horror, romance, and mystery genres—now all of these genres can be found in his work. I especially enjoy his work from the 1980s, but I really haven’t found a Koontz book I didn’t enjoy.

My favorite Dean Koontz novels—with a Halloween twist—are: Lightning, Midnight, The Bad Place, and Face of Fear.

A few honorable mentions: The Night Class by Tom Piccirilli, The Manitou by Graham Masterton, Cage of Night by Ed Gorman, I Am Legend by Richard Matheson, Curtains of Blood by Robert J. Randisi, and…so many more that I’m forgetting.

I hope everyone has a wonderful Halloween—I know I will.