Monday, December 30, 2024

Review: "The Tired Gun" by Lewis B. Patten

 




The Tired Gun

by Lewis B. Patten

Doubleday, 1973

 




A recent essay about Lewis B. Patten’s “man alone” western plots—where an individual, usually a lawman or a gunfighter, is forced to fight long odds without help from the townspeople or his friends—by Mike Baker encouraged me to dig out some of Patten’s work. And I’m glad I did because I had forgotten how good Patten was at writing suspenseful, noirish, and violent westerns. His 1973 novel, The Tired Gun, is a gem that plays with the man alone plot in ways that make it surprising more than fifty years after its first publication.

Sam Court has spent the last six years moving from ranch to ranch as a hired gun. The jobs never last long—a few weeks, maybe a few months—but they always pay well. And Sam has built a reputation as a fearless gunfighter. A reputation that follows him everywhere, and encourages hardmen to challenge him with hopes of building their own reputations at his expense. While in a Wyoming saloon, Sam is called-out by a local kid with high ambitions. Sam waits until the last moment to draw his Colt, but in the end, the kid is dead on the floor.

Sam heads out-of-town, but the kid’s brother, Jess Morgan, follows with a posse of twenty men. Six months later, the posse still on his trail, and Sam out of resources—both money and energy—he decides to return to the only place he has ever thought of as home: the small town of Cottonwood Grove, in Western Kansas. Six years earlier, before Sam’s world crashed down when his wife died in childbirth, Sam had been Cottonwood Grove’s town marshal. A job he had won when he turned away an angry mob of cattlemen bent on burning Cottonwood Grove to the ground. But when Sam arrives back in town, his doubts start—the town has changed, and while his friends are glad to see him, he begins to worry about the trouble he is bringing home with him. Then there is the son he has never seen and the memories of his dead wife. Even worse, the longer he is in Cottonwood Grove, the more the townsfolk begin pulling away from him.

The Tired Gun is a razor-sharp Western noir with a jittery atmosphere and an uncertain conclusion. Sam Court’s history with Cottonwood Grove is vividly shown in flashback snapshots throughout the narrative—from the first pages to almost the last. Court’s fatigue, which is manifested, at times, as a desire to give up and let Morgan kill him, and his distress at what he has brought to the town are visceral and emotionally staggering. The prose is uncomplicated but evocative. A handful of action scenes are so vivid the reader can smell the gun powder, hear bootheels clattering against wood planking, and breathe the electric violence.

The Tired Gun will appeal to anyone that enjoys the Western genre and others with a fondness for those mid-century crime novels published by the likes of Gold Medal.

Wednesday, December 25, 2024

Merry Christmas!

 

Merry Christmas, Happy Holidays, no matter what you celebrate, and all that jazz. May you have a marvelous holiday season filled with compassion, love, and many good books.

 

Monday, December 23, 2024

Review: "Breaking Cover" by J. D. Rhoades

 




Breaking Cover

J. D. Rhoades

Minotaur Books, 2008

 

 



Breaking Cover is a supercharged, violent thriller, and as entertaining as the genre gets. Undercover F.B.I. agent, Tony Wolf, went underground four years ago after his assignment with a ruthless biker gang, known as the Brotherhood, went sideways. On the run, and unsure who he can trust—including some of his fellow F.B.I. agents—Wolf finds a hidey-hole in the small, picturesque town of Pine Lake, North Carolina.

But Wolf blows his cover when he rescues two brothers from their kidnapper after seeing one of them in the window of a van. An F.B.I. agent recognizes Wolf from a gas station security camera, which rings more than a few bells in Washington. Then a tenacious local tv reporter captures Wolf on film—and identifies him as a possible conspirator in the boys’ kidnapping. When Wolf’s image hits the national media, it brings the Brotherhood to Pine Lake looking for a very rough kind of justice.

Breaking Cover, which was originally advertised as a standalone, is the first of two thrillers featuring Tony Wolf. The second is Broken Shield (2013). I haven’t read that second book—in fact, Breaking Cover is my first experience with Rhoades’s writing. But man, it won’t be my last. The breakneck pacing, the sleek, literate, and hardboiled style give it sizzle. There are gunfights, explosions, hidden tunnels, a hard-as-nails deputy Sheriff, and Wolf’s wife—who figured her husband had been dead for the last four years. But it’s the vileness of the Brotherhood with their irrational hatred of Wolf and a penchant for dispatching its enemies with the grotesque Blood Eagle, and Wolf’s paranoia that keeps him running and gunning that give Breaking Cover pop.

Find Breaking Cover on Amazon—click here for the Kindle edition and here for the paperback.

Wednesday, December 18, 2024

My Favorite Books Published in 2024

My Favorite Books Published in 2024


 

 

There was a time not so long ago when I read enough new mystery and crime releases that I would have felt more comfortable (although not that comfortable) putting together a “best of the year” listing, but 2024 hasn’t been that kind of year. I have read a bunch of books published this year—I’ve even reviewed many of them here at the blog and at Mystery Scene’s website, which like the magazine is now gone—but my survey of the genre hasn‘t been broad enough to declaratively state what I think of as the best. So—instead of championing the following five titles as the best of the genre, these are my favorite of the books (of those I’ve read) published this year.

As has been the case since 2016—when I took over as Mystery Scene’s short story critic—about two-thirds of my intake this year were story anthologies and collections. And this list reflects that disparity. So, without precedence, here are my favorite mystery and crime fiction books published in 2024:  

HERO, by Thomas Perry (Mysterious Press / Jan. 16). This action-packed thriller from the author of The Old Man is everything I like about thrillers: fast, complicated without being busy, and a rush of pure adrenaline. In my review I called Hero “a shotgun blast from the first page to the last.”


Read the review here.

Check out Hero here at Amazon.   

 

THE STARK HOUSE ANTHOLOGY, edited by Rick Ollerman & Gregory Shepard (Stark House / June 3). A big and ambitious celebration of Stark House’s silver jubilee, this anthology has 30 tales from mid-century to today. There are brilliant stories by Jada M. Davis—a short novel, really—Charles Runyon, Orrie Hitt, Dan J. Marlowe, Ed Gorman, Fredric Brown, Wade Miller, and—so many more. In my review, I called The Stark Anthology, “close to a perfect hardboiled story collection…”


Read the review here.

Check out The Stark House Anthology here at Amazon.

 


SAFE ENOUGH AND OTHER STORIES, by Lee Child (Mysterious Press / Sep. 3). If you’ve only read Child’s Jack Reacher series, many of these 20 standalone tales may surprise you. They showcase Child’s ability as a writer—sharp plotting, expert pacing, and subtle irony—without tying him down to the expectations of a series character. As I wrote in my review of Safe Enough, “[it] reads easy” and “there is nary a dud in the pack.”


Read the review here.

Check out Safe Enough and Other Stories here at Amazon.

 


CHRISTMAS CRIMES AT THE MYSTERIOUS BOOKSHOP, edited by Otto Penzler (Mysterious Press / Oct. 22). The twelve stories here are a catalogue of good short fiction by some of the genre’s best writers. Every tale has a scene or two in New York City’s Mysterious Bookshop and every single one is exciting, well-written, good-natured (aka nothing dark) and every story is different from every other story. About those writers—they include, Lyndsay Faye, Ace Atkins, Rob Hart, Jeffrey Deaver, Thomas Perry, and a bunch of others just as good.


Read the review here.

Check out Christmas Crimes at the Mysterious Bookshop here at Amazon.  

 


FLINT KILL CREEK: STORIES OF MYSTERY AND SUSPENSE, by Joyce Caro Oates (Mysterious Press / Nov. 5). This twelve-story collection is a dark ride into the underbelly of what it is to be human. The tales are dark, at times grotesque without ever being unbearable, and written with a power of language that allows them to live in the mind of the reader long after the pages have been turned. And here is my favorite line from the review I wrote for Flint Kill Creek: “It should appeal to fans of Joyce Carol Oates and anyone else with a humanist bent and an eye for the phantasm of gothic hallucinatory realism.”


Read the review here.

Check out Flint Kill Creek here at Amazon.

 


HONORABLE MENTIONS: Man in the Water, by David Housewright (Minotaur Books / June 25); An Honorable Assassin, by Steve Hamilton (Blackstone / Aug. 27); Against the Grain, by Peter Lovesey (Soho Crime / Dec. 3).

Monday, December 16, 2024

Review: "Against the Grain" by Peter Lovesey

 



Against the Grain

by Peter Lovesey

Soho Crime, 2024

 




What is advertised as the final Peter Diamond mystery, Against the Grain, the 22nd entry in the impressive series, is a marvelous send off for the cantankerous but brilliant detective. When Peter’s former deputy, Julie Hargreaves—who quit the Bath CID years earlier after she “wearied of his [Diamond’s] overbearing conduct”—has asked Diamond to visit her for a week at her home in the Somerset Village of Baskerville. Diamond does his best trying to avoid the visit, but he is ultimately convinced it is the right thing to do by his romantic partner, Paloma.

When Diamond and Paloma arrive, they find that Julie has been blinded by macular degeneration. A condition she kept secret from Diamond when they worked together and may have been the true reason she left Bath. Julie is content with her life, but she has a request of Diamond. Claudia Priest, the heiress of a local dairy farm and Baskerville’s primary employer, was convicted to three years’ incarceration for manslaughter when a party game went horribly wrong. A former lover and then-hanger-on of Claudia’s, Roger Miller, was trapped and crushed to death in a grain silo while trying to recover a garter that would win him the favors of Claudia for the evening. Claudia, without much fuss, was convicted of negligent manslaughter, but Julie believes Claudia was treated unfairly during the trial and she asks Diamond to do his own investigation—off the books, of course—to determine if Claudia is truly guilty. A request Diamond jumps at since it will be his first village mystery, and he would like to test himself as an amateur sleuth against the likes of Miss Marple.

Against the Grain is a smart fair-play traditional mystery in the style of the golden age of detection. Diamond is his usual stubborn, at times affable, at times irascible, and always genius self. His interactions with the locals—a laconic and moody teenager named Hamish, the local busy body, a talkative barmaid—are often uncomfortable and always funny. Diamond takes a few wild swings at investigating—he plays at being Columbo and then Poirot—but as the tale winds down he finds his detecting mojo and unravels the mystery as only Peter Diamond can do. And that final revelation is as surprising as it is good.

Find Against the Grain on Amazon—click here for the Kindle edition and here for the hardcover.

Friday, December 13, 2024

Review: "Flint Kill Creek" by Joyce Carol Oates

 



Flint Kill Creek

Stories of Mystery and Suspense

by Joyce Carol Oates

Mysterious Press, 2024

 


 


Joyce Carol Oates’ latest collection, Flint Kill Creek: Stories of Mystery and Suspense, is a masterpiece of the macabre. Its twelve tales, which the publisher tells us have been “reformulated”—perhaps meaning they have been revised from their original publications—deal with meaty issues: loneliness, envy, and fear are the most prevalent. “The Phlebotomist,” about a confused and timid woman drawn into an uncomfortable conversation with the male phlebotomist that helped draw her blood, is as troubling and dark as any tale I’ve read. An ambiguous ending acts only to amplify its foreboding.

“Weekday” follows a distracted father driving to work; worrying about the list of errands his wife assigned to him that morning and all but forgetting about his toddler daughter in the backseat. There is no doubt where it will end, but the journey is a harrowing (and worthwhile) ride into the frenzied shadows of modern parenting. “Friend of My Heart,” about a dissatisfied adjunct professor meeting a far more successful former classmate, is a bitter pill of loneliness, betrayal, and envy. And that ending—well, read it and you’ll know. “Bone Marrow Donor” is a macabre tale about fear and medical hope. It reads with the abstract delirium of a drug-induced high.

“The Nice Girl” is about a young high school graduate—the type of girl that always does the right thing—overshadowed by her mentally ill and addicted older sister. The tale’s jagged edges cut the reader a thousand times before its images settle into memory. “Happy Christmas” is a razor-sharp story about family, love, and loneliness. The dark secrets it reveals make the story linger in the reader’s mind long past the final word. “Late Love,” which is my favorite story in the collection, is a marvelous play on love and sanity. The narrator is unreliable and every word is precise and perfect.

Flint Kill Creek is a brilliant collection. It should appeal to fans of Joyce Carol Oates and anyone else with a humanist bent and an eye for the phantasm of gothic hallucinatory realism.

Check out Flint Kill Creek on Amazon: Kindle edition here and hardcover here.

Wednesday, December 11, 2024

Shorts: "Dicky and the Hat" by Mike Baker

 


Dicky and the Hat

by Mike Baker

 

*     *     *     *

 


RICHARD’S FATHER SILENTLY MOUTHED the words “Please kill me” into the unstable air between them. Richard blinked, mentally stumbling his way back into the diner’s chaos and thrum. Richard had trust issues—especially with his own imagination.

He sat across from his dad Arturo watching the old man meticulously cut up his fried eggs and then eat them, one piece at a time. He met his dad at the State Street Diner every morning for breakfast even though Richard never ate breakfast and the idea of his dad, knee deep in the beginning stages of senility, navigating there from eight city blocks away—gave Richard the yips. His dad insisted.

Richard was a soldier for Ducky Fiumara, a capo in the Genovese Family, and did a number of things for walking around money but his main job was killing people which you’d never say out loud. You definitely wouldn’t say “wack” either, unless you were an asshole who spent his time pimping or doing hold ups. Mostly, he and Ducky didn’t say anything, there wasn’t even a nod. Sometimes it felt like telepathy. Richard had coffee with Ducky and the way Ducky sugared his espresso let Richard know who needed to go. Richard took care of it and that, as they say, was that.

Richard’s dad had never had to do that kind of work. He’d been an accountant for Ducky’s father and then for Ducky after Ducky’s dad retired. The senility didn’t start until after Richard’s dad retired. Thank god. They didn’t talk about the senility either because as rotten a dad as Richard’s dad had been, he was still his dad and he couldn’t bear to think of the man as less than he’s been, let alone say the words to his dad or make dad acknowledge it.

“You don’t eat enough Dicky and your eyes look tired. You’re wacking off too much at night. You never could stop doing that when you were a boy. Filthy goddamn habit.”

Richard clenched up. He knew, or he believed, his dad couldn’t help it but Richard was a made guy unlike his dad and even his dad busting his balls was almost too much.

“How’s the garden these days Pop?”

His dad took a bite of eggs. They dribbled a little down his mouth.

“What did you say?”

“The garden, how is it?”

“Have you called you sister?”

“What Pop?”

“Your sister, are you deaf, have you called her?”

“No Pop.” He hadn’t talked to his sister in two years. Not since she moved to Connecticut, and she’d moved to Connecticut to get away from Richard, who she hated. She hated the old man but like Richard, she couldn’t admit it. Not really.

“Pop, we’re having Christmas dinner at Aunt Johnny’s this year, you gonna come?” Aunt Johnny was his mom’s sister and she hated Arturo and his dad hated her but Richard had to ask.

“No, I’m going to the VFW, they got a thing for veterans. Bring a cake for me from the bakery by the house.” He meant Richard’s childhood home, his dad lived in a home for poor old people and that place, the bakery, had been gone for 20 years.

His dad spit a piece of eggshell on his plate. “fuck’n greaser in the kitchen did that on purpose because we’re Italian.”

Richard cringed. This had been a neighborhood diner when he was a kid but the neighborhood had changed as family’s moved in with the steep increase in rents and upscale real estate. Guys like Richard learned to navigate. His dad’s generation, not so much.

Richard needed to leave. Ducky wanted to see him in there early. Ducky didn’t have many rules but one of the few was not ever being late for a meeting with Ducky, not ever. You could feel safer fucking up a piece of work than being late. Shit happened on jobs but being late for a meeting was disrespect and that did not fly with Ducky.

He watched his dad dip toast in his eggs and crunching down on the greasy yellow toast, bits and crumbs blew out of his mouth. The way his dad ate breakfast disgusted Richard. His dad disgusted Richard. Doing the kind of work he did, self-control was how you stayed out of jail. It was how you stayed alive. You took your time; you were under control. His dad had never been 100% under control. His dad worked long hours, tracking someone else’s money and he couldn’t make mistakes because these people only had one answer for mistakes but afterward, when he came home, he got sloppy.

His dad had had an assistant once. The assistant was young with three kids at home. One day Ducky called Richard’s dad into the Office and asked him point blank about a ledger. It was one of the assistant’s ledgers and Richard’s dad said he’d rather not say. Ducky said someone was in trouble, the assistant or Richard’s dad. That meant exactly one thing.

His dad said the assistant had either been sloppy or he was stealing. And considering the size of the assistant’s family, Richard’s dad said it was probably stealing and maybe it was the assistant. You make choices in this life but it’s really only one choice. You chose to live or you chose to die. Whoever did it, and only the old man knew, the old man chose his own ass. Fuck the assistant. All Ducky said was thanks and Richard’s dad went back to work, sitting right next to his assistant. The assistant’s entire family got murdered that night. The police, people around the neighborhood, all said it was Puerto Ricans robbing them because they were all cut up but who knows? Richard knew, even then, who did it. Everybody knew who did it.

Richard’s dad came home drunk and before Richard could even get a word out, his dad laid into him with his belt and its buckle, and then went to work on his mom and sister. You’d think Richard would have gotten him back when he grew up, when he started working for Ducky but even now, if his dad pulled a punch as a joke, Richard flinched a little.

Watching the old man eat, he made up his mind. The old man needed to die. He wasn’t sure when but this had to stop. He couldn’t do it though, kill his own dad. He probably would hire some Puerto Ricans and then kill them afterwards.

“I got to go Pop. I got to go see our boy.” That meant Ducky. His dad always called Ducky “Boy” since he had worked for Ducky’s dad and what grown man would allow himself to be called Ducky?

“Whatever Dicky. See you tomorrow.”

Richard got up, paid for him and his dad, looking back at his dad sitting crumpled and old. Richard decided to let it all go, let the old man die natural, and headed out the front door, the door’s tiny bell jingling as it opened and closed.

Richard’s dad watched Richard leave and then nodded at a man sitting a few booths down. The man got up, left a couple a bucks on the table, and headed out the door after Richard, the tiny bell jingling, a newspaper covering the throwaway gun palmed underneath it.

Fin


Mike Baker lives in North Florida with three feral cats, a couple of asshole racoons, a possum named the Colonel and a chihuahua named Chloe. He is, most days, catholic whether he wants to be or not.

© 2024 by Mike Baker / all rights reserved 

 

Monday, December 09, 2024

Booked (and Printed): November 2024

 

Booked (and Printed)

November 2024

 

 

November brought the first dusting of snow—and it was only a dusting but just enough fell to ice the roads for Thanksgiving travel, which made me happy we had nowhere to go. It brought friends to our home, a fire to our fireplace, and darkness at quarter past four. It also made for a month perfectly fitted for reading and I took advantage, at least as best I could, by reading six books—two story collections and four novels—and three short stories; every one of the shorts by the late mystery writer, Jeremiah Healy.

That trio of Healy tales starred Boston private eye, John Francis Cuddy, and while they are easily categorized as hardboiled, each stands tall as a puzzling whodunit, too. Another commonality of the stories: each was nominated, but failed to win, the Private Eye Writers of America Shamus Award for best short story. “The Bagged Man”—published in the Feb. 1993 issue of Ellery Queen Mystery Magazine—is a gem of a murder mystery. Cuddy is hired to help a private investment firm escape the bad publicity it has received since a homeless man, wearing a bag over his head and protesting that same firm, is found murdered. The set-up is believable and, of course, Cuddy solves the murder with his usual competent flair.

“Rest Stop”—which was published in the May 1992 issue of Alfred Hitchcock Mystery Magazine—is a cool take on a real-time kidnapping. While talking to an attendant at a highway rest stop, Cuddy sees a kidnapping. In a rush, he follows the kidnappers and finds himself in deep trouble. It has more action than the average Cuddy tale and it works very well. “Turning the Witness”—published in Guilty as Charged, edited by Scott Turow (1997)—is my favorite of this month’s three stories for the simple reason that when the solution was revealed I kicked myself for not solving it earlier. Read my detailed review of “Turning the Witness” here.

I read these three stories in the following two Jeremiah Healy collections (and both are well worth reading) published by Crippen & Landru: The Concise Cuddy (1998) and Cuddy – Plus One (2003).

As for the books… two are story collections—one a single author effort by William Campbell Gault and the other a multi-author anthology of criminous Christmas tales—with the remaining four novels squarely within the mystery genre.

William Campbell Gault is best known for his mystery and crime novels, but in the 1950s he wrote several speculative tales for, mostly, digest magazines. Mixology 2: More Science Fiction Stories (2024), gathers three—a short and two novelettes—of Gault’s best sciencey stories published in Fantastic Universe. Each tale is exciting and thought-provoking with worlds and characters both familiar and new. Click here to read a detailed essay I wrote about William Campbell Gault and Mixology 2.

The other story collection is Christmas Crimes at the Mysterious Bookshop, edited by Otto Penzler (2024). Its twelve tales are, as the title suggests, set during the Christmas holiday and have at least some action at New York City’s famed Mysterious Bookshop. An outstanding anthology with an impressive list of contributors that will ring true for anyone that enjoys the crossroad where mystery and Christmas meet. Check out my detailed review of Christmas Crimes at the Mysterious Bookshop here.

Back in April, I told you about Sasscer Hill’s first Fia McKee mystery, Flamingo Road (2017). A book I really liked—you can read my detailed review here. Fia has appeared only twice and (fortunately) my local library has both titles. So naturally I got around to reading that second book, The Dark Side of Town (2018). Fia, working undercover for the Thoroughbred Racing Protective Bureau at New York’s Saratoga Race Track, is investigating a trainer suspected of horse doping. The evidence against the trainer is sparse, but the outcomes of his horses is suspect. One thing leads Fia to another and soon she is hip-deep in a scheme of blackmail, murder, and kidnapping. The Dark Side of Town is an enjoyable foray into the horse-racing world with more in common with Sue Grafton than Dick Francis. My only wish? I wish there was another Fia McKee.

Bill Crider’s We’ll Always Have Murder (2003) is a hardboiled blast starring silver screen tough guy, Humphrey Bogart. The plotting is slick, the action is sharp, and Crider paints Bogart with a likable hue. It is set in the Hollywood of the late-1940s and it could easily have been written in that same era. You can read my detailed review of We’ll Always Have Murder here. Another book I wrote a detailed review for, is Alan Orloff’s second Mess Hopkins novel, Late Checkout (2024)—which means I won’t spend much time bending your eye about it here. Other than to say it is light-hearted and mysterious fun. Mess is pretty cool, too, with a self-deprecating wit and enough sense to know he doesn’t know much. Read my full review of Late Checkout here.

Now, for my favorite book of the month—and it was a close race. David Housewright’s twelfth Rushmore McKenzie novel, Unidentified Woman #15 (2015). While driving on a snowy night in Minneapolis, McKenzie witnesses a woman thrown from a moving pick-up truck. McKenzie does what McKenzie does and rescues the woman from the icy highway asphalt. She wakes up to no memory of who she and since her pockets were empty of any identifiers, she is simply known as Fifteen. After Fifteen’s release from hospital, McKenzie and his girlfriend, Nina Truhler, happily allow her to stay in their swanky Minneapolis condo. But there is concern for Fifteen’s safety since whoever tried to kill her is still out there. Things go sideways—how else will they ever go in a McKenzie novel?—and McKenzie finds himself in a race to figure out Fifteen’s identity and exactly who is trying to kill her.

Unidentified Woman #15 is in my top three or four of the McKenzie mysteries. It has all the usual hallmarks of the series: a strong setting, colorful characters, concise plotting, and of course the likable McKenzie. It is also surprising, suspenseful, and personal for McKenzie for a few reasons. An absolute winner from the first to the last page.

Fin—

Now on to next month…