Wednesday, June 02, 2010
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Saturday, May 29, 2010
Click HERE to go there now.
Monday, April 12, 2010
Sunday, April 11, 2010
It has been nonstop busy at my house the past few months and yesterday as I was browsing the stacks of a used bookshop I found myself thinking about the terrific books I read in 2009, and there were many. I rediscovered the work of several classic suspense, crime, and western novelists. The best of the bunch was probably the work of Brian Garfield.He hasn't published a new work of fiction since the late-1980s, which is a shame since he really redefined the suspense novel with his novel Death Wish and then kept getting better and better. And then simply stopped writing, or at least publishing, fiction.
The following is a review of Brian Garfield's Necessity. It was the first of several Garfield novels I read last year, and when I think about it I can't help but smile. It is a terrific suspense novel with as much flair and style as you will find in the genre. It originally went live July 6, 2009.
It’s been several years since I’ve read a Brian Garfield novel—maybe Death Sentence in '04 or '05. I made amends recently and jumped into his 1984 novel Necessity and wondered how I waited so long.
“It’s the sixth day after the theft. She pulls off the Interstate in Tucson, a city she has never seen before. According to the atlas it is a county seat and the second largest city in Arizona—population half a million people.”
Matty LaCasse is a former model and now the wife of a wealthy New York construction magnate. She is the recent mother of a beautiful and healthy baby girl. She is on the run, alone, scared and hell-bent to get her daughter back.
Necessity is an absolute firecracker. It opens with a white hot flash and never lets up—the action is tight and it is expertly used as a tool to ratchet the suspense from vague dread to outright terror. The characters are perfectly molded into dimensional people who are likable, terrifying and, most importantly, believable. The storyline is linear and sharp with enough false leads and psychology—mostly Matty’s—to keep the reader off balance and avidly turning the pages—which is all terrific, but Mr Garfield also flavors the story with technical information about creating new identities and, more importantly, erasing an original identity. He creates a world that is real and absorbing without slowing the story with too much detail and information.
The narrative is smooth and inviting. It is told in a matter-of-fact fashion, and with the seldom-used present tense—“She lets herself in and double-locks the door and slumps into the threadbare easy chair. Strength flows away as if a drainplug has been pulled.”
Sunday, April 04, 2010
Now Tom Selleck, who guest-starred in two episodes, weighs in about the difficultly of recreating the series without James Garner in a brief interview with Zap2It. In a sense it would be tantamount to remaking "Magnum, P.I." without Tom Selleck, a difficult chore at best.
Mr Selleck said, in part:
"They ought to cast Jim Garner," Selleck tells Zap2it. "I'm a little prejudiced because he was really a formative influence on me, even a mentor in so many ways, even though he probably wouldn't admit to it if he was aware of it.
"Dermot Mulroney seems like a fine actor in the work I've seen him do, and this has nothing to do with him -- but when you think of 'Rockford,' you don't remember 'that episode about the bank robbery,' you remember [Garner] making you laugh."
Click Here to read the rest of the article.
Saturday, March 27, 2010
Sunday, March 14, 2010
I have been enjoying the work of the late-Robert Ludlum. I hadn't read any of his novels since the mid-1990s, but I picked up his first published novel The Scarlatti Inheritance and really enjoyed it. I also read, and liked, The Holcroft Covenant, although it would have benefited from a sharper pencil during the editing process. Ludlum's work is interesting because he has a very unique style, and while his writing can be verbose he keeps the story moving quickly with plots that are tricky without too man--what the hell!--twists.
I have also read several non-fiction titles, mostly history, both military and American history. A favorite was a little volume titled Inside the Green Berets. It takes a brief glimpse at the formation of Army Special Forces, the key personnel involved, and the major conflicts up through the early-1980s. The writer is Charles M. Simpson, III.
I also tend to listen to about one audiobook per week at work. My favorites have been full cast performances of David Morrell's spy thrillers The Brotherhood of the Rose and The Fraternity of the Stone. I have read both of these novels before, and the audio productions were very well done and captured my attention and imagination.
That's it for now, but I have a few reviews planned, and even an interview. Come back. I promise that I will.
Sunday, February 28, 2010
It is a great cover.
The Ed Gorman title--Shoot First--is a terrific novel. It is out of print, but shouldn't be hard to find. It is one of my favorite Gorman Westerns.
I haven't read any of Cameron Judd's work, but I might start with this one. The description at the Dorchester website reads:
Deputy Luke Cable’s job has gotten a whole lot harder lately. He’s been acting marshal since Marshal Ben Keely left on a trip east—and disappeared. It’s up to Luke to keep the peace, and that’s hard to do since the arrival of the Outlaw Train, a traveling collection of curiosities, including the remains of notorious outlaws. But not all the outlaws in town are dead. Scar Nolan is very much alive. He came to town right after the train pulled in. He’s killed before and unless Luke can stop him he’s aiming to do it again aboard the...OUTLAW TRAIN
Friday, February 12, 2010
There is also a rundown of the best horror novels of the decade: 2000 - 2009. It features 51 titles; I have read a whopping nine of them. Although the nine I have read I agree with. A few examples are, The Night Class by Tom Piccirilli, The Traveling Vampire Show by Richard Laymon, The Lost by Jack Ketchum, The Missing by Sarah Langan, three by Stephen King and two by Peter Straub. Its biggest weakness: It's just a list. Click Here to read it.
Dead Lines is worth a look. I haven't read all of the stories, but so far so good.
To visit click Here
Saturday, January 30, 2010
Saturday, January 23, 2010
You may have noticed, or maybe not, that it has been overly quiet around here the past few weeks. It's been a busy first few weeks of the year, but everything seems to be calming down and we--my wife and I--are getting back into the natural rhythm of life so, with a little luck, I should be back to getting two or three posts up per week shortly. Until then, here is a review I wrote a few years ago for an older Stephen Hunter novel.
I’ve been in a thriller mood recently, but most of what the current crop of thriller writers puts out doesn’t do much for me. Their writing seems flat, uninteresting, and their plots are full of holes and so unbelievable that I usually can’t get through the first fifty pages. It doesn’t help that many of them are 500 pages long or more. That’s why I recently read an older novel written by a thriller writer who has never disappointed me. The novel: The Master Sniper. The writer: Stephen Hunter.
The Master Sniper is an early novel by Stephen Hunter; it was originally published in 1980. It is a thriller of the Second World War—a sub-genre I love—and it reminded me just a little of Jack Higgins’ bestselling The Eagle Has Landed.
Captain Leets is an officer with the Office of Strategic Services, a paper-pusher really, who specializes in Nazi firearms. He, as everyone else, is waiting out the war. It is January 1945, and the Nazis are against the ropes. They still have enough muscle to do some damage, but the end of the war is in sight, and no one wants to take too many chances, and Captain Leets is no different.
That all changes when a strange report crosses his desk: a small shipment of Stermgewehr-44s—an assault rifle that was produced and requisitioned in the thousands—was sent from the factory to a place called Anlage Elf. Leets isn’t sure why, but something bothers him about this shipment of rifles. It’s not just the number of rifles being shipped, but no one has heard of the requesting agency, and why would the Germans risk shipping such a small amount of rifles across the country when the war is lost?
This sets up a mystery that Captain Leets will struggle to solve throughout the rest of the novel. He will go against his superiors, participate in a parachute raid of an enemy camp, discover things about himself that he doesn't like, alienate friends, and slowly, ever so slowly discover what the Germans are up to.
The Master Sniper is a rewarding read. The prose is quick and spry, while the plot is rich enough to keep you guessing until shortly before the end. Mr. Hunter ratchets the tension and suspense perfectly, and the characters are enjoyable and likable—Mr. Hunter does an excellent job of creating a likable hero, while also creating a villain who doesn’t seem terribly bad until the novel begins to unwind, and then he is unmasked as a truly despicable and dangerous person.
Saturday, January 09, 2010
Duel was an ABC movie of the week originally aired in November 1971. It was Steven Spielberg’s first crack at directing a movie, and he really delivered. It was filmed on location in thirteen days and the final product feels more like a feature film than a made-for-television movie. The camera work is impressive. There are several beautiful low-angle moving shots on the highway and an impressive freehand, documentary-style, scene shot in a truck stop.
The story is relatively simple—a salesman traveling a California highway passes a slow moving tanker truck. The driver of the tanker takes exception, and the rest of the story unfolds as the truck chases David Mann (the salesman) along the narrow two-lane highway. The driver of the truck is never revealed, which creates a sense of broad-based terror as the antagonist actually becomes the truck.
Richard Matheson wrote the screenplay, based on his novelette, and it is a taut and linear tale of a normal man trapped in a situation where only he can save himself. It is a little Alfred Hitchcock, and a whole lot Richard Matheson. The film is faithful to the novelette, but there are a few additional scenes and an extension of one—the truck stop scene was lengthened and improved over the story. Dennis Weaver—playing David Mann—creates an anxiety that is realistic; I saw a whole lot of myself in his reactions and behavior.
The original television version was released in a 90-minute time slot. The actual film clocked in at around 73-minutes, but it was lengthened to 90-minutes and released as a feature film in Europe. The current DVD is the 90-minute version, and my understanding is that Spielberg extended a couple scenes and added one. I haven’t seen the original version, but I really can’t imagine that it was any better than the longer theatrical version.
Duel is worth seeking out. The DVD is priced at around $10, and it is worth every penny. It also includes two lengthy interviews with Spielberg, and one with Richard Matheson. The original novelette should also be read. In fact, read it and then watch the film. It is available in two current editions: Duel: Terror Stories and Richard Matheson: Collected Stories, Vol. 3.