|
“High
Stakes” by
John Lutz from American
Pulp, ed.
by Gorman, Pronzini & Greenberg Carroll
& Graf, 1997
John Lutz, who died in Jan. 2021 from complications
of Covid at the age of 81, was a writer that was (and still is) often overlooked.
Sure, he had a couple novels translated into film, including the box office
hit, Single White Female (1992), starring Bridget Fonda, but it’s rare
to see Lutz on anyone’s favorite author list. Maybe it’s because he had a chameleon-like
ability to adapt his writing to meet market changes: He started writing
suspense in the 1970s, shifted to P.I. tales in the 1980s, then in the 1990s and
2000s he rode the serial killer wave until it smashed itself dead against the
rocks. And then in the late-2010s he busted out a couple espionage thrillers.
Or, and this more likely, there is some other reason that I haven’t
identified yet. But one thing I know: I’ve never read a John Lutz tale—novel or
short story—I didn’t like. For me, one of Lutz’s
greatest accomplishments for a late-20th Century fictionist is the
volume of short stories he published. My guess is, and this is purely
speculative, Lutz’s byline appeared on more than 100 short tales that
appeared in digests and anthologies. His first, “Thieves’ Honor,” appeared in
the Dec. 1966 issue of Alfred Hitchcock’s Mystery Magazine and he kept
on publishing well into the 21st Century. Which brings me to Lutz’s
exceptionally good, “High Stakes”—originally published in the June 1984 issue
of The Saint. Ernie is a degenerate gambler with an instinct for
survival, but his luck went sour and now he’s hiding in a crummy room in a
crummier hotel. He’s dressed in a dirty brown suit and a wrinkled white shirt
because he had to abandon his smart clothes as he hustled away from his last
hotel ahead of the bill. Even worse, Ernie owes a substantial sum to a card
sharp, Carl Atwater, with a violent reputation and there is no telling what Atwater
and his goons will do to Ernie when they find him. “Thieves’ Honor” was
written in the 1980s, but it has the feel of 1950s pulp; which is good since
I dig that kind of thing. Ernie’s plight is well described—as is Ernie in all
his cockroach glory—and Lutz takes the story into unexpected places. At least
I had no idea where it was going until it got there. There is true suspense,
which Lutz is exceedingly good at writing, and that final climactic twist is
as ironic as anything I’ve read in a good long while. In a couple words: “Thieves’
Honor” is damn fun. |
Monday, May 26, 2025
Review: "High Stakes" by John Lutz
Wednesday, May 08, 2024
Review: "Lynching in Mixville" by L. J. Washburn
|
“Lynching in Mixville” by L.
J. Washburn Carroll
& Graf, 1997 “Lynching in Mixville”—which was originally published in Lethal
Ladies, edited by Barbara Collins & Robert J. Randisi (1996)—is a
terrific historical mystery set in early-Hollywood. Lucas Hallam, along with
a bunch of other Old West cowboys, is making a living as a stunt rider and
extra for silent film star, Tom Mix. Mix was the most popular of all the silver
screen cowboys and he was never shy of enlivening his biography with
exaggeration and even a few lies. While on lunch break during filming, Mix is
regaling a pretty young reporter with the tale of how he led the posse that
captured, and hanged, the famous Ghost River Gang. His tale is interrupted by
an aging cowpoke, Hank Daniels, that had been with the posse that had
apprehended the gang—and he was adamant Mix hadn’t been there at all: “I’m callin’ you a damn liar, Mix! I don’t care how big a
star you are, boy!” Mix takes offense and tells
Hallam to get Daniels off the set. Hallam agrees, but before Daniels gets
clear of Mixville he winds dangling from the end of a rope. Tom Mix is the
only suspect in the lynching, but Hallam, who earlier in life had been a
sheriff, a Texas Ranger, and even a Pinkerton detective, had different ideas
about the murder. “Lynching in Mixville” is a strong
mystery with a vivid setting. The reader can smell the dust and horses, feel
the sweet California sun on their faces. The prose is muscular with a western
lilt and the solution is surprising and fun. Best of all, Hallam is the kind
of hero it’s fun to ride with, which makes “Lynching in Mixville” a
straight-up winner. |
|
Lucas Hallam appeared
in three novels—Wild Night (1987), Dead Stick (1988), and Dog
Heavies (1990)—which have be released as a bundle on Kindle by Rough
Edges Press. The recent Hallam, collects six Lucas Hallam shorts, but it
doesn’t appear to include “Lynching at Mixville.” Click here to look
at the Lucas Hallam Kindle bundle on Amazon and here for Hallam.
|

