Showing posts with label American Pulp. Show all posts
Showing posts with label American Pulp. Show all posts

Monday, May 26, 2025

Review: "High Stakes" by John Lutz




“High Stakes”

by John Lutz

from American Pulp,

ed. by Gorman, Pronzini & Greenberg

Carroll & Graf, 1997

 





John Lutz, who died in Jan. 2021 from complications of Covid at the age of 81, was a writer that was (and still is) often overlooked. Sure, he had a couple novels translated into film, including the box office hit, Single White Female (1992), starring Bridget Fonda, but it’s rare to see Lutz on anyone’s favorite author list. Maybe it’s because he had a chameleon-like ability to adapt his writing to meet market changes: He started writing suspense in the 1970s, shifted to P.I. tales in the 1980s, then in the 1990s and 2000s he rode the serial killer wave until it smashed itself dead against the rocks. And then in the late-2010s he busted out a couple espionage thrillers. Or, and this more likely, there is some other reason that I haven’t identified yet. But one thing I know: I’ve never read a John Lutz tale—novel or short story—I didn’t like.

For me, one of Lutz’s greatest accomplishments for a late-20th Century fictionist is the volume of short stories he published. My guess is, and this is purely speculative, Lutz’s byline appeared on more than 100 short tales that appeared in digests and anthologies. His first, “Thieves’ Honor,” appeared in the Dec. 1966 issue of Alfred Hitchcock’s Mystery Magazine and he kept on publishing well into the 21st Century.

Which brings me to Lutz’s exceptionally good, “High Stakes”—originally published in the June 1984 issue of The Saint. Ernie is a degenerate gambler with an instinct for survival, but his luck went sour and now he’s hiding in a crummy room in a crummier hotel. He’s dressed in a dirty brown suit and a wrinkled white shirt because he had to abandon his smart clothes as he hustled away from his last hotel ahead of the bill. Even worse, Ernie owes a substantial sum to a card sharp, Carl Atwater, with a violent reputation and there is no telling what Atwater and his goons will do to Ernie when they find him.

“Thieves’ Honor” was written in the 1980s, but it has the feel of 1950s pulp; which is good since I dig that kind of thing. Ernie’s plight is well described—as is Ernie in all his cockroach glory—and Lutz takes the story into unexpected places. At least I had no idea where it was going until it got there. There is true suspense, which Lutz is exceedingly good at writing, and that final climactic twist is as ironic as anything I’ve read in a good long while. In a couple words: “Thieves’ Honor” is damn fun.

Wednesday, May 08, 2024

Review: "Lynching in Mixville" by L. J. Washburn

 



“Lynching in Mixville”

by L. J. Washburn

Carroll & Graf, 1997

 


“Lynching in Mixville”—which was originally published in Lethal Ladies, edited by Barbara Collins & Robert J. Randisi (1996)—is a terrific historical mystery set in early-Hollywood. Lucas Hallam, along with a bunch of other Old West cowboys, is making a living as a stunt rider and extra for silent film star, Tom Mix. Mix was the most popular of all the silver screen cowboys and he was never shy of enlivening his biography with exaggeration and even a few lies. While on lunch break during filming, Mix is regaling a pretty young reporter with the tale of how he led the posse that captured, and hanged, the famous Ghost River Gang. His tale is interrupted by an aging cowpoke, Hank Daniels, that had been with the posse that had apprehended the gang—and he was adamant Mix hadn’t been there at all:

“I’m callin’ you a damn liar, Mix! I don’t care how big a star you are, boy!”

Mix takes offense and tells Hallam to get Daniels off the set. Hallam agrees, but before Daniels gets clear of Mixville he winds dangling from the end of a rope. Tom Mix is the only suspect in the lynching, but Hallam, who earlier in life had been a sheriff, a Texas Ranger, and even a Pinkerton detective, had different ideas about the murder.

“Lynching in Mixville” is a strong mystery with a vivid setting. The reader can smell the dust and horses, feel the sweet California sun on their faces. The prose is muscular with a western lilt and the solution is surprising and fun. Best of all, Hallam is the kind of hero it’s fun to ride with, which makes “Lynching in Mixville” a straight-up winner.

Lucas Hallam appeared in three novels—Wild Night (1987), Dead Stick (1988), and Dog Heavies (1990)—which have be released as a bundle on Kindle by Rough Edges Press. The recent Hallam, collects six Lucas Hallam shorts, but it doesn’t appear to include “Lynching at Mixville.”

 

Click here to look at the Lucas Hallam Kindle bundle on Amazon and here for Hallam.