Showing posts with label Fredric Brown. Show all posts
Showing posts with label Fredric Brown. Show all posts

Wednesday, March 26, 2025

Shorts: "Keep Out" by Fredric Brown

 

 

Keep Out
by Fredric Brown

 

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DAPTINE IS THE SECRET OF IT. ADAPTINE, they called it first; then it got shortened to daptine. It let us adapt.

They explained it all to us when we were ten years old; I guess they thought we were too young to understand before then, although we knew a lot of it already. They told us just after we landed on Mars.

“You’re home, children,” the Head Teacher told us after we had gone into the glassite dome they’d built for us there. And he told us there’d be a special lecture for us that evening, an important one that we must all attend.

And that evening he told us the whole story and the whys and wherefores. He stood up before us. He had to wear a heated space suit and helmet, of course, because the temperature in the dome was comfortable for us but already freezing cold for him and the air was already too thin for him to breathe. His voice came to us by radio from inside his helmet.

“Children,” he said, “you are home. This is Mars, the planet on which you will spend the rest of your lives. You are Martians, the first Martians. You have lived five years on Earth and another five in space. Now you will spend ten years, until you are adults, in this dome, although toward the end of that time you will be allowed to spend increasingly long periods outdoors.

“Then you will go forth and make your own homes, live your own lives, as Martians. You will intermarry and your children will breed true. They too will be Martians.

“It is time you were told the history of this great experiment of which each of you is a part.”

Then he told us.

Man, he said, had first reached Mars in 1985. It had been uninhabited by intelligent life (there is plenty of plant life and a few varieties of non-flying insects) and he had found it by terrestrial standards uninhabitable. Man could survive on Mars only by living inside glassite domes and wearing space suits when he went outside of them. Except by day in the warmer seasons it was too cold for him. The air was too thin for him to breathe and long exposure to sunlight—less filtered of rays harmful to him than on Earth because of the lesser atmosphere—could kill him. The plants were chemically alien to him and he could not eat them; he had to bring all his food from Earth or grow it in hydroponic tanks.

For fifty years he had tried to colonize Mars and all his efforts had failed. Besides this dome which had been built for us there was only one other outpost, another glassite dome much smaller and less than a mile away.

It had looked as though mankind could never spread to the other planets of the solar system besides Earth for of all of them Mars was the least inhospitable; if he couldn’t live here there was no use even trying to colonize the others.

And then, in 2034, thirty years ago, a brilliant biochemist named Waymoth had discovered daptine. A miracle drug that worked not on the animal or person to whom it was given, but on the progeny he conceived during a limited period of time after inoculation.

It gave his progeny almost limitless adaptability to changing conditions, provided the changes were made gradually.

Dr. Waymoth had inoculated and then mated a pair of guinea pigs; they had borne a litter of five and by placing each member of the litter under different and gradually changing conditions, he had obtained amazing results. When they attained maturity one of those guinea pigs was living comfortably at a temperature of forty below zero Fahrenheit, another was quite happy at a hundred and fifty above. A third was thriving on a diet that would have been deadly poison for an ordinary animal and a fourth was contented under a constant X-ray bombardment that would have killed one of its parents within minutes.

Subsequent experiments with many litters showed that animals who had been adapted to similar conditions bred true and their progeny was conditioned from birth to live under those conditions.

“Ten years later, ten years ago,” the Head Teacher told us, “you children were born. Born of parents carefully selected from those who volunteered for the experiment. And from birth you have been brought up under carefully controlled and gradually changing conditions.

“From the time you were born the air you have breathed has been very gradually thinned and its oxygen content reduced. Your lungs have compensated by becoming much greater in capacity, which is why your chests are so much larger than those of your teachers and attendants; when you are fully mature and are breathing air like that of Mars, the difference will be even greater.

“Your bodies are growing fur to enable you to stand the increasing cold. You are comfortable now under conditions which would kill ordinary people quickly. Since you were four years old your nurses and teachers have had to wear special protection to survive conditions that seem normal to you.

“In another ten years, at maturity, you will be completely acclimated to Mars. Its air will be your air; its food plants your food. Its extremes of temperature will be easy for you to endure and its median temperatures pleasant to you. Already, because of the five years we spent in space under gradually decreased gravitational pull, the gravity of Mars seems normal to you.

“It will be your planet, to live on and to populate. You are the children of Earth but you are the first Martians.”

Of course we had known a lot of those things already.

The last year was the best. By then the air inside the dome—except for the pressurized parts where our teachers and attendants live—was almost like that outside, and we were allowed out for increasingly long periods. It is good to be in the open.

The last few months they relaxed segregation of the sexes so we could begin choosing mates, although they told us there is to be no marriage until after the final day, after our full clearance. Choosing was not difficult in my case. I had made my choice long since and I’d felt sure that she felt the same way; I was right.

Tomorrow is the day of our freedom. Tomorrow we will be Martians, the Martians. Tomorrow we shall take over the planet.

Some among us are impatient, have been impatient for weeks now, but wiser counsel prevailed and we are waiting. We have waited twenty years and we can wait until the final day.

And tomorrow is the final day.

Tomorrow, at a signal, we will kill the teachers and the other Earthmen among us before we go forth. They do not suspect, so it will be easy.

We have dissimulated for years now, and they do not know how we hate them. They do not know how disgusting and hideous we find them, with their ugly misshapen bodies, so narrow-shouldered and tiny-chested, their weak sibilant voices that need amplification to carry in our Martian air, and above all their white pasty hairless skins.

We shall kill them and then we shall go and smash the other dome so all the Earthmen there will die too.

If more Earthmen ever come to punish us, we can live and hide in the hills where they’ll never find us. And if they try to build more domes here we’ll smash them. We want no more to do with Earth.

This is our planet and we want no aliens. Keep off!

Fredric Brown authored more than 200 short stories in the mystery and science fiction genres between the late-1930s and the 1960s. He was especially adroit at crafting tales of less than 1,500 words with humor and ironic twist endings. Mr. Brown died in 1972 at the age of 65.

© 1954 Ziff-Davis Publishing Co.

Wednesday, May 22, 2024

From Ed Gorman's Desk: "Fredric Brown"

 

from ED GORMAN’S Desk



Fredric Brown

from Nov. 1, 2008

 

Yes, I had an epiphany last night. Honest. I was re-reading one of my favorite Fredric Brown novels, The Deep End, and I realized suddenly why I’ve always felt such a spiritual closeness to his crime fiction.
     I had a paper route when I was twelve and thirteen. I delivered in the neighborhood where I lived, a working class quadrant of the small city packed with bars. The men and women in the bars always liked to treat to me a bottle of pop or a game of shuffleboard or pool. We were all Micks from the same parish.
     I can’t say I got to know any but a few of them personally. But I did have an understanding of them as an aggregate, especially the men who were in their twenties, their fates already sealed by families, lack of college education and, in most cases, a compliance with the wishes of the gods (Lovecraft’s gods to my mind).
     The bar was their escape. My favorite bar was part of a seedy hotel. The owner liked hillbilly music and he put all of Elvis’ Sun records on it as early as 1955 before Elvis was widely known. Same with Johnny Cash. A very cool place.
     I overheard stories. Men fighting with their wives; men stepping out on their wives; men who couldn’t pay their bills and were heavy into loan companies already. Some of the men blue collar, some of the men lower-echelon white collar. There were fights sometimes; wives occasionally appeared and hauled their humiliated husbands out of the places. The great tragedy was the much-decorated Marine who’d fought in Korea. Popular high school basketball player, happy hard-working good-looking guy who was crazy about his wife and brought her in frequently, lovely frail Irish girl-woman. He got killed in a highway accident and his wife (true facts) set herself on fire in grief.
     Lives significant only to them and their kind (my kind).
     And while I was reading The Deep End last night (a novel so redolent of Fifties morality it could be used in a sociology text book, even though it takes enormous liberties with the sexual mores of the time, the love affair here is a knockout) I realized that I like Brown so much (I was already reading him back then) because he wrote about my neighborhood and my people. Most of his crime novels, I know now, are filled with the men and women in the bars on my old paper route.
     I keep hearing about how Brown’s Coming Back. I sure hope that’s true.

Click here to purchase the trade paperback.

This article originally appeared on Ed Gorman’s blog, New Improved Gorman, on Nov. 1, 2008. It is reprinted here by permission. Ed wrote dozens of novels in a variety of genres, but his most popular work (and my favorite of his work) was in the crime and western genres. His ten Sam McCain mysteries—set in the fictional Iowa town of Black River Falls during the 1950s, ’60, and ’70s—are suspenseful, mysterious, and often funny excursions into small town America. The New York Times called Sam McCain, “The kind of hero any small town could take to its heart” and The Seattle Times called McCain “an intriguing mix of knight errant and realist…”

     But Ed was also a tireless reader and promoter of other writers’ work. His blogs—there were three, none of them operating at the same time—are treasure troves for readers of crime, horror, and western fiction both old and new. Ed died Oct. 14, 2016.

 

Click here to check out Ed Gorman’s Sam McCain novels on Amazon.

Thursday, March 05, 2015

"Don't Look Behind You" by Fredric Brown

Fredric Brown is a writer I have heard much about, but a writer whose work I have only sampled. I have read a few short stories, and no more. I recently read his short story “Don’t Look Behind You” and was impressed by its style, reach and cleverness.

Justin and Harley operate a small printing shop on Amsterdam Ave in New York City. The two only take enough business to keep the facade of legitimacy in place, but their real business is the printing of counterfeit five- and ten-dollar bills. A business that is doing quite well until Harley is murdered in an Albany hotel and Justin is called in and held by the police. The cops seemingly care less about Harley’s murder and more about the counterfeit shop the two men operate.

When the police finally release Justin he discovers the police are not alone in their interest in the Amsterdam printing shop—Harley had partners who want the printing plates, and they treat Justin as poorly as the upstate cops did. In fact, they don’t seem to care much what happens to Justin if it leads them to the plates.

“Don’t Look Behind You” is a cleverly plotted story that takes you in one direction only to quickly and smoothly swerve into another, and then another. It opens with a raw slash of narrative:

“Just sit back and relax, now. Try to enjoy this; it’s going to be the last story you ever read, or nearly the last. After you finish it you can sit there and stall awhile, you can find excuses to hang around your house, or your room, or your office, wherever you’re reading this; but sooner or later you’re going to have to get up and go out. That’s where I’m waiting for you: outside. Or maybe closer than that. Maybe in this room.”

It is told in first person with a twist—the narrator isn’t necessarily who you think it is and the story doesn’t necessarily lead you where you think it is will. The prose is spot on; re-read the passage above and if you don’t want to read more you’re crazy. But the best part of the story is its plot and the affect it has on the reader. The narrator speaks directly to the reader—not as an audience member, but as a principle character—and it has a chilling effect that made me shudder with bliss in the closing paragraphs.

“Don’t Look Behind You” was originally published in Ellery Queen Mystery Magazine in May 1947. I read it in the fine anthology A Century of Noir edited by Mickey Spillane and Max Allan Collins.

I have been slowly cleaning up some of my older reviews—blogger tends to mess-up the formatting from time to time—and I decided this one should have new life at the top of the blog. It is truly a wonderful story.