Showing posts with label Tricia Fields. Show all posts
Showing posts with label Tricia Fields. Show all posts

Wednesday, January 29, 2025

Playing Roulette with Minotaur Books

 

Playing Roulette with Minotaur Books

 



If you’ve been paying attention to the blog, you’ve already noticed my recent devotion to the writings of David Housewright; especially his long-running series about unlicensed Twin Cities P.I., Rushmore McKenzie. Back in February, 2024, I noticed the library had a shelf full of the McKenzie books in hardcover, which jangled my memory of when the long gone and fabled Leisure Books—fabled at my house, anyway—was reprinting the series in mass market during the second half of the ’00s. A title that had caught my attention back then was the second book in the series, Tin City (2005). I bought it but never read it, lost it in one move or another, and utterly forgot about both the series and Housewright.

But this library bookshelf rekindled my interest in the series. So being a studious kind—and never really caring if I start with the first or twentieth title in a series—I studied each book, mostly looking at the blurbs from trades like Publishers Weekly (which I agree with often) and Kirkus (which I agree with less often) and settled on the eleventh book, The Devil May Care (2014), because it had received a starred review from PW. And wow did that book hit every note just right. To say I was hooked is an understatement. After turning the last page, I rushed to the library to retrieve the first book in the series, A Hard Ticket Home (2003), which of course wasn’t in the collection and so I rolled to the second, Tin City. The very same title that had caught my eye nearly two decades earlier.

 

After racing through a handful of the McKenzie’s, an idea jittered and popped. An idea that went something like this: the library has a bunch of mysteries published by Minotaur Books—the same house that has brought out all twenty-one of the McKenzie books—in the late ’00s and throughout the ’10s; so, I decided, I would concentrate much of my non-mandatory reading to the Minotaur Books sitting on the library’s shelves. And it went well, even though it was kind of like playing roulette with my reading since I often knew nothing about the books or authors before picking them up. Although I’ll admit I took too much advantage of the McKenzie’s since they accounted for eleven of the nineteen Minotaur titles I read. All eight of the authors were new to me and I have every intention of reading more books by at least five of those writers: David Housewright, Sasscer Hill, Brian McGilloway, John Keyse-Walker, and J. D. Rhoades.

Due to sheer meanness, I chose not to finish two of the titles: Ranchero, by Rick Gavin (2011), and L’Assassin, by Peter Steiner (2008).

As for 2025, I’m thinking of sticking to the game plan for at least the first few months, but after that, who knows? Maybe I’ll schedule my reading around Golden Books or maybe HarlequinNASCAR romance series or….

Here’s the rundown of the Minotaur Books I checked out from the library and read in 2024 (click the titles for the review, if I wrote one):

February

The Devil May Care, by David Housewright (2014) – McKenzie #11

Tin City, by David Housewright (2005) – McKenzie #2

March

Pretty Girl Gone, by David Housewright (2006) – McKenzie #3

Madman on a Drum, by David Housewright (2008) – McKenzie #5

The Taking of Libbie, SD, by David Housewright (2010) – McKenzie #7

April

Flamingo Road, by Sasscer Hill (2017) – Fia McKee #1

Bleed a River Deep, by Brian McGilloway (2010) – Ben Devlin #3

May

Man in the Water, by David Housewright (2024) – McKenzie #21

The Territory, by Tricia Fields (2011) – Josie Gray #1

June

Highway 61, by David Housewright - 2011 – McKenzie #8

Ranchero, by Rick Gavin (2011) – Nick Reid #1

July

Curse of the Jade Lady, by David Housewright (2012) – McKenzie #9

September

The Last Kind Word, by David Housewright (2013) – McKenzie #10

November

The Dark Side of Town, by Sasscer Hill (2018) – Fia McKee #2

Unidentified Woman #15, David Housewright (2015) – McKenzie #12

December

Sun, Sand, Murder, by John Keyse-Walker (2016) – Teddy Creque #1

Breaking Cover, by J. D. Rhoades (2008) – Tony Wolf

Stealing the Countess, by David Housewright (2016) – McKenzie #13

L’Assassin, by Peter Steiner (2008)

Trivia – My short story, “Asia Divine,” appeared in the same anthology, Bullets and Other Hurting Things (2021), as David Housewright’s tale, “Best Man.” A connection I didn’t realize I had with McKenzie’s creator until a few months ago. “Asia Divine” is available in my collection, Casinos, Motels, Gators (2024).

Wednesday, June 05, 2024

Booked (and Printed): May 2024


Booked (and Printed)

May 2024


Reading was a struggle in May. I read four books and two short stories: three mystery novels and a terrific single author story collection, Mixology: Science Fiction Stories, by William Campbell Gault. My reading tends to decline during the summer months but part of the reduction in May came from sore eyes—it was a struggle some days to keep my eyes on the page and it was nearly impossible to read a mass market paperback with small or even smallish print. I have an appointment with an ophthalmologist in July; with a little luck we’ll get that taken care of. So, now to what I did read…

MAN IN THE WATER, David Housewright’s 21st Rushmore McKenzie mystery, clocked in as my favorite of the month. It is a laid-back tale about murder, fraud, and a drowning man. McKenzie is his usual funny, tough, knight-errant self, which, along with the vivid Minnesota settings, is what makes these books special. You’ll be seeing my review on Mystery Scene’s website later in June. The other two novels—SNOWJOB, by Ted Wood, and THE TERRITORY, by Tricia Fields—were disappointing. Although it is possible my blistering eyes made me grumpy and both are actually top-notch genre pieces. Since these were both first time authors for me, I’ll likely try another of their books because one never knows.

I started and didn’t finish one title, CAPE RAGE, by Ron Corbett, for the simple reason it was darker than my mood wanted. If I were a betting man—and I’m not because gambling is for suckers or perhaps people smarter than me—I’d bet I’ll get back to Cape Rage later in the year.  

Both of the short stories I read were excellent. L. J. Washburn’s historical mystery, “LYNCHING IN MIXVILLE,” is a hardboiled Lucas Hallam tale with a special appearance by silent-era film star Tom Mix. I wrote more about this one here“THIS GUN FOR HIRE,” by Jack Ritchie—which I read in the July 1989 issue of Ellery Queen’s Mystery Magazine—is a clever and surprising take on the hitman story. MIXOLOGY: SCIENCE FICTION STORIES, by William Campbell Gault, collects three stories; two novelettes and a short. These tales showcase what Gault is known for—mixing genres, tight plotting, and tossing ethical dilemmas around like it’s easy. Take a look at what I wrote about Gault and this collection here.

Fin

Now on to next month.