The artist for the first four titles: Russell Jeffery.
The photographer for the final two titles: Michael Killalea.
Kickback
was originally published as a trade paperback by Allen & Unwin in 1991, but
the edition that caught my eye is Allen & Unwin’s mass market edition published
in 1993.
The first paragraph:
Wyatt
tensed. A silver BMW had emerged from the driveway of the Frome place. The headlights
plunged, then levelled, as the car entered Lansell Road. Wyatt counted heads:
Frome driving, wife next to him, kids in the back. He checked the time—8 pm—and
watched the BMW disappear in the direction of Toorak Road.
Paydirt
was originally published as a trade paperback by Allen & Unwin in 1992, but
the edition that caught my eye is Allen & Unwin’s mass market edition published
in 1993.
The
work was dirty, the little town a joke, but Wyatt was interested only in the
advantages—they didn’t know who he was, there were no cops, and no one was
expecting a payroll snatch.
Deathdeal was
originally published as a mass market paperback by Allen & Unwin in 1993,
which is the very edition that caught my eye.
The first lines:
There
were two of them and they came in hard and fast. They knew where the bed was
and flanked it as Wyatt rolled onto his shoulder and grabbed at the backpack on
the dusty carpet. He had his mind on the .38 in the side pocket and was
swinging it up, finger tightening, when the cosh smacked across the back of his
wrist.
Crosskill was
originally published as a mass market paperback by Allen & Unwin in 1994,
which is the very edition that caught my eye.
The first lines:
The first lines:
The
stranger appeared just after lunch on day one of Wyatt’s operation against the
Mesics. He was driving a red Capri, soft top down, and Wyatt watched him park
it against the kerb, unfold from the car, stride to the compound gates and bend
his face to the intercom grille in the brick pillar.
Port
Vila Blues was originally published as a mass market
paperback by Allen & Unwin in 1995, which is the very edition that caught my
eye.
The first lines:
The first lines:
Carlyle
Street, Double Bay, 7 a.m. on a Tuesday morning, the air clean and cool. Behind
closed doors in the big houses set back far from the street, people were
beginning to stir, brewing coffee or standing dazed under showers.
The
Fallout was originally published as a mass market paperback by
Allen & Unwin in 1997, which is the very edition that caught my eye.
By
the fifth hold-up the papers are calling him the bush bandit. An inspector of
police, flat, inexpressive, resistant to the pull of cameras, is less colourful:
“We are looking for a male person who is armed and should be considered dangerous.
His method of operation is essentially the same in every case.
The Allen & Unwin mass market paperbacks had brief
distribution in the United States. The first four titles were available in my local
Barnes & Noble for about three months in the mid-1990s. I purchased the
first, Kickback, read it in a single
evening and rushed back to the bookstore and purchased the other three. Since
then, I’ve been an enthusiastic Garry Disher reader. His work has gotten easier
to find in the United States over the years, but those original four Wyatt
novels are harder to find than ever, at least in print. They are available as
ebooks on all the major platforms.
_________________________________________
3 comments:
I'm a big Wyatt fan, so was glad to see this feature. Yes, it's a unabashed homage to Stark's Parker, but the series is still a delight to read and has its own vibe that makes it compelling in its own right. I have all the books save for the last one, THE HEAT (2015)...still need to get that one.
The Wyatt novels are among my favorites. They certainly are an homage to Parker, but Disher is such a good writer that he's been able to differentiate Wyatt from Parker in small ways. I have The Heat, but I haven't read it yet. I'm waiting for enough time to read all the Wyatt's again, from the first to the last. I imagine it will be like watching a brilliant episodic television series.
Good idea; I've often thought of doing something similar with the Parker series. I hope you'll put up a blog entry on your revisiting the Wyatt series...if it holds up well to a second visit, what themes or narrative devices (good or bad) become more visible when the books are read back-to-back, etc. Would be very interested to hear it. It's been so long since I read the bulk of the series that my only true recollections are that it was a clear (and author-admitted) homage to the Stark series, that they were immensely readable and enjoyable, and that Wyatt just did not have the same luck and fortune that Parker was (usually) able to carve out from his profession. Come to think of it and given that it's no longer fresh in my mind, maybe I should revisit the series as well.
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