Brent Towns is a writer
on the move. Over the past few years he has hit the
Western genre with a vengeance and published more than 20 novels under his own
name and various pseudonyms, including B. S. Dunn, Sam Clancy and Jake Henry.
He has co-written, with Ben Bridges, two novels featuring Lew Eden, as well as
continued Ben Bridges’ cavalry series Company
‘C’. His work, to date, has been high quality, action-centered Westerns,
which have been lauded by readers worldwide as “fast paced,” “entertaining,” and
“adrenaline rush” inducing.
Brent makes his home down
under, in Australia, where he lives with his wife and son and is relentlessly
punching the keys for another solid story towards those two wondrous words—“the
end”. While Brent has yet to crack the American market, his time will come, and
sooner rather than later, and once he does his name will be everywhere.
Brent was kind enough to sit
down and answer a few questions. The questions are italicized and so much less important than the answers.
What’s your latest novel?
I
have two, actually. Drifter #5 Longhorns
and Blood and a Black Horse Western titled The Man Who Burned Hell!
The
first book is published by Piccadilly Publishing in the U.K. and follows the
adventures of my serial character Jeff Savage after he comes home from the
Civil War.
The
second book is published by The Crowood Press, also in the U.K. This story
contains a recurring character named Josh Ford, a no-nonsense Deputy U.S.
Marshal who is sent to a town called Paradise with the sole purpose of bringing
to an end the reign of terror by a man known as “The Devil”.
[Editor’s note. Drifter #5 Longhorns and Blood is published as by Jake Henry, and The
Man Who Burned Hell! is published as by
Sam Clancy. Both are available as ebooks in the United States.]
Without breaking any of your personal taboos, would you
give us an idea of what you’re working on now?
I’m
actually working on three stories at the moment. One is a novelization of a
movie manuscript titled Bill Tilghman and the Outlaws. The movie is set to be finished
sometime this year and the script was written by Dan Searles.
The
second is book 2 in the Lew Eden series. I’m collaborating with well-known
western author Ben Bridges on this one. Which is a great experience for me,
having grown up reading many of his books.
This
story surrounds the battle on the Little Bighorn which was quite fun to research
with all of the varying viewpoints. I know some people will disagree with me
but I found Nathaniel Philbrick’s The
Last Stand to be a great read and valuable source of information.
The
third is a modern-day story titled Retribution.
It is a genre I’ve never written before and is one of my challenges for 2018.
How is it different working on a novelization, based
on a screenplay, than it is developing your own novel?
Working
on a novelization is a great experience. For starters the path is all planned
out, so you don’t have to do too much on that side. The characters are already
there so you just have to bring them to life. One thing I was told before I did
my first was that the reader doesn’t want to see a carbon copy of the movie. Make
the story your own. Subtle changes here and there can help with that.
I’ve
written two now. The first seemed easy enough so I didn’t hesitate when asked
to do the second. Bill Tilghman, however, threw me up a different set of
challenges which required various communications with the screenwriter. A nice
bloke by the way. Always ready to answer any questions that I had.
Now
that I’ve finished the first draft, we'll see how it has turned out.
What was your first published novel?
My
first “accepted” book by a mainstream publisher was called Fury at Bent Fork. It was accepted by Robert Hale in the U.K. not
long after I self-published my first written book. (Interestingly enough I
consider this book to be NOT my best work and yet is has more great reviews
than the others)
The
feeling you get when you finally get the acceptance notification still feels as
great today as it did the first time.
I’ve
been lucky in my writing journey to have had minimal rejections so far. But
with a new year comes new challenges and in 2018 I’m targeting a new genre with
the U.S. market in mind. Who knows, it could be the year of the rejection. But
if you don’t try, what’s the point?
[Editor’s note. Fury at Bent Fork is published as by B. S. Dunn, available as
an ebook in the United States.]
When did you first realize you wanted to be a writer?
I
guess I’ve always wanted to write, even as a child. However, I figure the time
wasn’t right back then and life had other journeys set out for me. But in 2015
everything aligned, and it has been all go since then.
How do you go about writing?
I
write when I can. Depends on what the days throw at me but most of it is done
at night after everyone is in bed.
I
like to plan most things with my writing, I have a cupboard full of scribble
books with ideas and plot plans. However, these are mostly a guide. A lot of
the time I get about halfway through and the stories take on a life of their
own and the plan has gone out the window.
Do you have any specific pleasures, or displeasures,
that come from writing?
Pleasures?
Hmm. I guess the greatest pleasure is the sense of achievement once the
manuscript is complete. Nothing like those two little words at the end of a
story.
Displeasures?
The middle of the book. I usually start off in a blaze of glory and fly through
the first third. Get to the middle and it seems to drag. Hard work is that
part. Then after you chop through it, the final part seems to rocket along
again.
I
don’t mind going through edits when I get them. After all, they are designed to
make your book better. The proofs, however, I could do without. I’d rather be
writing than reading those.
Readers?
Readers are great. Fantastic. Without them I’d be out of a … I hesitate to call
it a job. Thank you to all those who do purchase my books.
Are there any writers that inspired—or continue to
inspire—your own writing?
Let’s
just say over the years I’ve read a lot of great authors and often I’ve
finished a book and thought “I wish I could write like that”. Now, I may not be
able to write like them, but I’m living the dream.
If you could write anything, without commercial
considerations, what would it be?
I
would like to try my hand at a Gunsmoke
western. I read a few of Joe West’s a long time back and really enjoyed them.
Then there are the select few who write for the Johnstone brand, that would be
cool.
I
think being a western author who lives in Australia makes it harder to break
into the American publishing scene. But, along with the modern-day story, my
other goal for this year is to write a western big enough, and GOOD enough for
a mainstream U.S. publishing house to consider.
Last
year I also wrote my first Commando
script. That was fantastic. I’d like to do more of those too.
[Editor’s note. Commando Comics is a U.K. based comic book publisher featuring action centered war
stories.]
If you were stranded on an island and you had only one
book, what would it be?
Love
this question. For the first part of my life, and a large chunk of my teenage
years, I lived on an island. (at that stage home to roughly 2,000 people) Admittedly
you could fly on and off, but we were pretty isolated in the middle of a zone
known as the Roaring Forties.
In
my room I had a bookcase loaded with over 400 westerns. If that’s stranded,
I’ll take it.
What was the name of the island where you lived?
The
island I lived on was called King Island. Pop: around 2,000 at the time. I
worked in the Seaweed factory there and also the local meatworks. Great
fishing, dairy products are world famous along with their beef.
Great
place to bring up kids until they’re ready to fly the nest.
If you were allowed only to recommend one of your own novels,
or stories, which one would you want people to read?
I’m
kind of partial to one of my latest works called, The Man Who Burned Hell! from Crowood.
They have a great line of westerns which they publish, 6-8 every month. Being a U.K. company, I don’t think they get the recognition they deserve.
They have a great line of westerns which they publish, 6-8 every month. Being a U.K. company, I don’t think they get the recognition they deserve.
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